Campaign-ready film and photography.

Ellie Livingston — Die Spitz, 2024.
Before the world knew their name.

See It Differently.

See It Differently.

Watch the sizzle reel

We shoot campaigns, films, and everything in between. Let's make something worth watching.

Services Built to Crush Expectations

We work with artists, labels, and brands. The output changes. The standard doesn't.

  • The medium keeps shifting. New tools, new formats, new ways to make something worth watching. We're already working in it — and we know when it serves the story and when it doesn't.

  • Narrative and documentary work built to last. We've been on the ground before the story was a story. That instinct shows up in every frame.

  • Campaign-ready stills from a filmmaker's eye. We're not just capturing the moment — we're building the image.

  • We come in with a point of view, not just a crew. Built around your campaign goals from day one.

A photoshoot scene with a vintage car on a grassy field, a woman sitting beside the car, a man with a camera taking photos, and another person holding a reflector in the background.

Whatever you're chasing, we'll show you a version of it you haven't imagined yet.

  • Every project starts with a perspective. Ours comes from years of watching, shooting, and obsessing over what makes an image land — and that doesn't clock out between jobs.

  • Brainstorming with us isn't a formality. We come in with ideas, references, and instincts that push the work somewhere it wouldn't have gone otherwise.

  • We don't hand off a deck and disappear. We build the concept and we shoot it — which means nothing gets lost between the idea and the image.

A photo of three people in a warehouse, filming a segment. Two women and one man are present, with the woman on the left in a black jacket, the man in the middle with glasses holding a camera, and the woman on the right speaking. Large boxes labeled 'Guardian' are stacked behind them, and professional lighting and equipment are set up.

Craft Meets Strategy

Jay Klein has spent two decades refusing to stay in one lane — and it shows in the work.

A UT Austin grad who cut his teeth in art direction and graphic design before moving into web and interactive, Jay has spent the last decade behind the camera full-time. He's shot campaigns for Dell, AMD, and Samsung, directed music videos and short films, and worked as a cinematographer on feature films. His photography practice runs just as deep — environmental portraits that put people in context, and product work for clients who need stills that actually perform.

The through line across all of it is a designer's eye. Composition, hierarchy, intention. That's not a skill set. That's two decades of looking at the world a certain way.

Ready When You Are.

No decks required. Just tell us what you're after.